Setting – Elsinore, Kingdom of Denmark
Author – Shakespeare
Characters –
Hamlet…was
a student before King Hamlet died. He stays at Elsinore against his wishes,
hating Denmark for its extravagance. Hamlet struggles throughout the play with
whether to kill his uncle, kill himself, or do neither. Everything from
Hamlet’s sanity to his love for Ophelia is uncertain. He can often be found
making long soliloquies asking unanswerable questions about life, the
afterlife, and fate. His foils are Laertes (son of Polonius/Ophelia’s
brother/Hamlet’s friend) and Young Fortinbras (Prince of Norway)
King
Claudius…killed his brother for both the throne and Gertrude, though the extent
of his care for Gertrude is questionable. Claudius knows he should feel guilty
but also knows that he would not give up what he has won. His go-to guy is
Polonius, though he does not feel much after Polonius’s death.
Queen
Gertrude…finds herself torn between her son and her husband, acting in one’s
favor at one point and the other’s at another.
Ophelia…is
Polonius’s daughter and, at one time was, Hamlet’s fiancé. She gets caught up
in Polonius’s and Claudius’s doings against Hamlet, losing his trust. In the
process, she loses her sanity.
Horatio…is meant to be the
play’s skeptic/scholar. He is also Hamlet’s true friend and confidante.
Plot Summary –
King Hamlet of Denmark has
recently died. His brother, Claudius, who also married his wife and queen,
Gertrude, took the throne. The play starts with the nightly watch. Marcellus
and Bernardo bring the disbelieving Horatio to see a ghost they have seen twice
before. When the ghost appears, Horatio identifies it as the ghost of King
Hamlet. The ghost will not speak to them, and the three vow to tell young
Prince Hamlet about what they have seen. It is also revealed that there is
tension between Denmark and Norway because King Hamlet won land from Norway
after killing King Fortinbras thirty years ago. Young Fortinbras is said to be
on a mission of revenge.
Laertes, Hamlet’s friend, the
son of Claudius’s closest advisor (Polonius), and Ophelia’s brother, is given
the King’s blessing to return to school in France. The visibly
still-upset/grieving Hamlet, however, is not to return to school in Wittenberg.
Alone, Hamlet expresses his desire to die when suicide goes against the tenants
of religion and remembers when his father was alive, scorning his mother for
marrying so soon. Horatio walks in with Marcellus. They tell him what they have
seen, and they agree to show Hamlet later that night.
Laertes says farewell to
Ophelia, warning her not to sleep with Hamlet because Hamlet must eventually
become King of Denmark and is subject to the nation. Ophelia calls him a
hypocrite, and their conversation is interrupted by Polonius. Polonius gives
Laertes conniving advice before he parts, and then proceeds to call Ophelia a
ridiculous fool for thinking Hamlet would ever love her seriously (even though
they’re engaged) and forbids her from contacting him.
Hamlet meets the ghost with
Horatio and Marcellus, but the ghost beckons Hamlet away. Against the judgment
of his friends, Hamlet follows the ghost. The ghost tells him in detail of his
murder at the hand of Claudius, ordering Hamlet to seek revenge, but to leave
his mother unharmed. Hamlet agrees, saying that he will be dedicated
whole-heartedly to the mission. Hamlet then makes Marcellus and Horatio promise
multiple times to never repeat the events of that night to anyone.
Claudius and Gertrude send
Hamlet’s childhood friends Rosencrantz and Guildenstern to spy on Hamlet.
Ambassadors return from Norway with the King’s word that Fortinbras will not
attack Denmark. Polonius, believing he has found the reason for Hamlet’s odd
behavior, announces to the King and Queen Hamlet’s love for Ophelia. He tells
him of a scheme he wants to carry out and meets Hamlet alone. Hamlet acts
insane. When Polonius leaves, Rosencrantz and Guildenstern enter. Hamlet sees
through them, but they cover themselves by announcing the arrival of a theater
troupe. Hamlet creates a plan to prove to himself whether the ghost can be
trusted or not: he will have the players enact a player similar to the story
the ghost told, and if Claudius is made upset by this, Hamlet will know that
the ghost was honest and not a demon from hell.
Polonius and Claudius spy on an
arranged meeting between Ophelia and Hamlet. Before Ophelia enters, Hamlet
gives his “To be, or not to be” soliloquy, again contemplating death, this time
held back by the fear of the unknown. Ophelia enters under the pretense of
returning gifts Hamlet had sent her. Hamlet reacts angrily, entering into a
tirade about women and ordering Ophelia to a nunnery and storming away.
Polonius and Claudius come out, now believing Hamlet’s madness not to be caused
by love. Claudius orders Polonius to send Hamlet to Gertrude after the play and
to spy on their conversation.
Before the play, Hamlet
confides in Horatio and asks him to watch Claudius with Hamlet during the
performance. He also warns Horatio of his crazy-act. During the play, Hamlet
makes a series of sexual references to Ophelia until Claudius reacts as Hamlet
thought he might, and the play is abruptly ended.
Claudius asks R&G to
accompany Hamlet to England. After a brief rendezvous with Polonius, Claudius
expresses his guilt in a prayer. Hamlet sees him praying and almost enacts his
revenge until the fear of sending Claudius to heaven stops him. He goes to his
mother. Gertrude scolds Hamlet for upsetting Claudius, and in return, Hamlet
scolds her for the death of King Hamlet. Gertrude cries out, and Polonius moves
from his hiding spot only for Hamlet to mistake him for Claudius and kill him.
As Hamlet and Gertrude react, the ghost appears to Hamlet, but Gertrude cannot
see him. The ghost reminds Hamlet of his mission and disappears. Hamlet tries
to tell Gertrude that he ahs only been acting insane, begging her to support
him and not sleep with Claudius again. Hamlet recognizes that he must leave for
England, and departs with Polonius’s body.
Gertrude runs to Claudius and
tells him of Hamlet’s madness and murder of Polonius. Worried about how the
public may view the events, Claudius decides to expedite Hamlet’s trip to
England. R&G find Hamlet and ask him for Polonius’s body. They take him to
Claudius, who sends them to England right away. Claudius then reveals that
Hamlet is meant to be killed upon his arrival in England.
Fortinbras and his army want to
pass through Denmark on their way to Poland and send a captain to ask for
Claudius’s permission. The captain meets with Hamlet and tells him of the
conflict between Poland and Norway. Hamlet admires Fortinbras’s action and
hates himself for being too passive with his revenge, taking new initiative.
A troubled Ophelia, singing
songs and wearing vines/flowers, meets Horatio and Gertrude. Claudius enters,
warning of Laertes and a mob he’s raised to take over the Kingdom to avenge
Polonius’s death. Laertes confronts Claudius, but Gertrude attests to
Claudius’s innocence. Claudius tells Laertes that he, too, seeks revenge.
Horatio receives a letter from
Hamlet that says his ship was taken over by pirates and he has returned to
Denmark.
Claudius and Laertes plan
Hamlet’s death until Gertrude enters, announcing that Ophelia has drowned
herself (implying that she was also pregnant).
Hamlet and Horatio find two
gravediggers digging in the graveyard. They ask the one who remains who is to
be buried, but the information is not extracted easily. Hamlet does not find
out that it’s Ophelia until he witnesses the funeral from afar. At the funeral,
Laertes jumps into the grave with Ophelia and makes a scene. Hamlet reveals
himself, declaring that he loved Ophelia and jumping into the grave to fight
Laertes. The two are pulled apart.
Hamlet tells Horatio that he
discovered Claudius’s plan to kill him and of how he changed to order to have
R&G killed instead. The courtier Osric comes to tell Hamlet that Claudius
bet that Hamlet will beat Laertes in a fencing match. Hamlet, knowing that he
will die, agrees to the match. Before they start fighting, Hamlet apologizes
and asks for Laertes’ forgiveness. Claudius declares that he and hamlet will
drink if Hamlet strikes the first blow, which he does, but he declines the
drink. Gertrude decides to drink from the cup when Hamlet next hits Laertes.
The King is too late in warning her that he has poisoned the cup. Laertes hits
Hamlet with his poisoned sword, but Hamlet also manages to strike Laertes with
the same sword.
Gertrude falls and dies.
Laertes follows not without confessing to Hamlet what has happened and making
amends. Hamlet stabs Claudius and makes him drink from the cup, killing him.
Hamlet says goodbye to Horatio, bidding him to tell his story and make
Fortinbras, who approaches, king of Denmark. Hamlet dies. Fortinbras enters
with English ambassadors who announce R&G’s deaths. Fortinbras orders
Hamlet to have a soldier’s burial.
Theme – Uncertainty plagues/clouds every aspect of life, including death, ambitions, and love, and attempting to control the forces outside of one's will is futile and ruinous.
Narrative Voice/Author’s Style – Shakespeare’s lack of stage directions leaves much of the interpretation of Hamlet ambiguous, dependent on the particular performance/actors’ nuances. This, however, fits with the play’s overwhelming sense of uncertainty: just as the characters are uncertain of themselves and of each other, the audience is as well. But it can be agreed that the tone grows darker as the play progresses, opening with a tension-filled first scene and ending with a harrowing sea of death. Shakespeare often uses the body or body parts (head, ears, veins) to represent all of the state of Denmark, emphasizing that the health of many relies on the health of one. He also uses imagery and description of disease and sickness to demonstrate the behavior of corruption (it spreads like a sickness). The skull Hamlet ponders upon in the graveyard serves as a symbol that we all come to dust. Both Yorik the jester and Alexander the Great ultimately came to the same fate.
Narrative Voice/Author’s Style – Shakespeare’s lack of stage directions leaves much of the interpretation of Hamlet ambiguous, dependent on the particular performance/actors’ nuances. This, however, fits with the play’s overwhelming sense of uncertainty: just as the characters are uncertain of themselves and of each other, the audience is as well. But it can be agreed that the tone grows darker as the play progresses, opening with a tension-filled first scene and ending with a harrowing sea of death. Shakespeare often uses the body or body parts (head, ears, veins) to represent all of the state of Denmark, emphasizing that the health of many relies on the health of one. He also uses imagery and description of disease and sickness to demonstrate the behavior of corruption (it spreads like a sickness). The skull Hamlet ponders upon in the graveyard serves as a symbol that we all come to dust. Both Yorik the jester and Alexander the Great ultimately came to the same fate.
Quotes –
Horatio: This bodes some strange eruption to our
state.
Hamlet: Foul deeds will rise.
Marcellus: Something is rotten in the state of
Denmark.
Three characters foreshadow the tragic events of
the play.
Hamlet: What’s Hecuba to him, or he to Hecuba, That
he should weep for her?
Hamlet laments about his internal conflict, that he is even struggling at all to act.
Hamlet laments about his internal conflict, that he is even struggling at all to act.
Laertes: His will is not his own. For he himself is
subject to his birth…For on his choice depends the safety and health of this
whole state.
Laertes expresses Hamlet's duty and obligation, identifying him as really without free will.
Laertes expresses Hamlet's duty and obligation, identifying him as really without free will.
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